BEYOND THE STREETS is proud to present SHEPARD FAIREY: OUT OF PRINT, a landmark exhibition devoted to the artist’s lifelong dialogue with printmaking. Bringing together more than 400 original screen prints alongside new and re‑mixed works that combine screen printing and stenciling, the exhibition surveys Fairey’s enduring commitment to the image, the multiple, and the power of mass communication.

David Zwirner is pleased to present an exhibition of new drawings and prints by iconic illustrator and cartoonist R. Crumb (b. 1943), on view at the gallery’s 616 N Western Avenue location in Los Angeles. In his works of the last several years Crumb reflects on life in his eighties and his sixty-year career as well as themes of personal and mass paranoia during these times of social and political unrest. Crumb’s most mordant attacks are, as always, reserved for himself and show him contending with his own manic anxieties in a humorous and insightful manner.

In Fruits of Labor, Summer Wheat (SCAD M.F.A., painting, 2005) presents six richly textured paintings inspired by Greek mythology, animal archetypes, and astrology. A pair of totemic works featuring fruit–animal hybrids are flanked by multiple large-scale paintings that immerse viewers in a lush, harmonious world. In these scenes, Wheat portrays female figures as nurturers and cultivators lounging post-exertion, entwined with animals often associated with fear yet exuding calm and satisfaction. This new series expands Wheat’s practice of depicting women at work to their well-earned luxuriating that follows, insisting that moments of release, repose, and ease after collective effort are worthy of commemoration.

Newport Street Gallery, in association with HENI, will present an exhibition uniting three disruptive artists: Shepard Fairey, Damien Hirst, and Invader. Opening 10 October and running until 29 March 2026, this unprecedented show, curated by Connor Hirst, will feature a dynamic mix of individual works alongside bold new collaborations, many of which will be revealed to the public for the very first time.

In Hold Me Close, Bisa Butler presents a powerful new series of quilted portraits that speak to the urgency of empathy, the weight of history, and the need for tenderness in times of crisis. This is the artist’s statement:

Charlie James Gallery is proud to present El Mañana, a solo exhibition of works by Los Angeles artist Erick Medel, his second with the gallery. Medel captures the vibrancy of his eastside neighborhood in works that range from intimate snapshots to expansive street scenes, always with the aim of distilling and preserving the ephemeral feelings and fleeing moments that make up a thriving community. These works also celebrate a bustling street culture that has suffered a summer of ICE raids and unrest, which has stolen a sense of security that will be slow to return. Medel captures the resilience and ingenuity of this community, preserving its small joys and hidden beauties as a reservoir of hope for tomorrow.

P·P·O·W is pleased to present Life Looks Like a House For a Few Hours, Erin M. Riley’s third solo exhibition with the gallery. In a new body of meticulously crafted and powerfully vulnerable large-scale weavings, domestic scenes congeal and dissolve amidst family photos, car crashes, iPhone selfies, and newspaper clippings. Collaging moments from her past and present, Riley intersperses images of herself with memories of her childhood home before it was lost in a storm of separation, alleged affairs, and foreclosure. Throughout these works, Riley investigates the forces that shaped her life and the splintering of personal identity, dissecting each layer to reveal the secrets within.

David Kordansky Gallery is pleased to present An American Beauty: Grateful Dead 1965–1995, an exhibition of photographs of the iconic psychedelic rock band curated by photographer Jay Blakesberg and his daughter, Ricki Blakesberg. Timed to commemorate the 60th anniversary of the founding of the band, as well as the release of a major new publication of the same name, the show will be on view in Los Angeles at 5130 W. Edgewood Pl through August 16, 2025. The coffee table book will be available at shop.davidkordanskygallery.com, and will be officially released on August 1 in honor of Jerry Garcia’s birthday.

Set to go live online and via social media at 6pm Thursday, Irish rap group Kneecap share a short film, in advance of their 2025 Glastonbury set, calling urgent attention to the genocide in Gaza. The project unites a powerful coalition of visual artists, musicians, filmmakers, producers and activists using their platforms in solidarity with the Palestinian people. Artist interpretations as well as interviews with doctors and activists centre the human cost of Israel’s military campaign and the international complicity that sustains it.    

One of the highlights of Daniela García Hamilton: Amanecer / Atardecer (Sunrise / Sunset) at Charlie James Gallery in Los Angeles is the embodiment of absence. She is at her best when the works stitch into the canvas a sense of loss memories, letting the raw canvas take space and speak to the setting of the work. Hamilton combines embroidery and oil painting, often depicting what appears to be family photos and subtle hints of found photography, and there is this beautiful and almost painful conversation of what it means when we say cultural assimilation, or what the galleries calls “the inevitability of assimilation.” That is where the empty space of the canvas comes to play, where she is either hinting…